Sordid is the newest dark romance that I have read and a surprisingly good addition to my library. The premise relies on the traditional older man overwhelms younger female virgin trope, but it is well-done, IMHO. The anti-hero protagonist is Luka, the eldest son of a Mafia Captain, and his very reluctant heir. Luka is brilliant and wants to go legit as a businessman, but can’t break out of the role he was born into.
** Warning: Moderate spoiler alert here in terms of a trigger warning.
Luka rapes the heroine, Addison. It happens at the beginning of the book, when they are both drunk at a frat party. He isn’t excessively violent (ie; no hitting or punching her, and he tries to protect her from his mafia connections afterwards) but at the end of the day she says no and he doesn’t stop. That is rape. It IS the darkest part of the book, but if that’s a trigger for you, don’t bother reading Sordid.
So when Luka fails to cover up his crime by drugging Addison (in the hopes that she would forget it happened), he takes her prisoner and decides to make her his forever. To be fair, he intended to do that all along but hoped to woo her more gently if he could manage to make her forget the rape… and his relatives were all in favour of killing her to avoid police attention, so in “keeping” her, he does save her life. I guess there was no letting her go at that point.
But I transgress ….
Lately, I have been heavily into the captive romance sub-genre, no doubt brought on by the fantastic series Twist Me by Anna Zaires. While I hate reading about a man hitting his girl in anger, there’s no denying I like books that push the envelope far further than genteel society would prefer. I like my stories to rip me open, tear out my guts and heart and then stuff everything back inside and close up, a little different for having the experience. Sordid succeeded on this account.
It wasn’t my favourite captive romance but I enjoyed it and would highly recommend. The drawbacks were that the ending was a little too tidy and easy, the betrayals too few, and Addison adapted with too little introspection. She obviously resists at first, and then tries to play along to gain an attempt at escape, but ultimately settles in and learns to enjoy Luka’s rougher preferences and ownership without too many qualms. I’d rather have seen her struggle with it more.
The takeaway: I liked the story and would definitely read more from Nikki Sloane. I’ll have to see if she has anything else out there. Sordid read like a stand-alone, not a series.
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