Tomorrowland (2014) is a futuristic movie about a second dimension that is inter-layed over Earth. The people who live there are the brightest and most optimistic from our planet, and are selected by highly advanced robots mandated to seek them out.
Bound by a shared destiny, a teen bursting with scientific curiosity and a former boy-genius inventor embark on a mission to unearth the secrets of a place somewhere in time and space that exists in their collective memory.
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Tomorrowland’s magic stems from the enthusiasm of the young teenage protagonist and the wonder of the technology of the future. It was inspiring to see such a clean city full of life, to witness the jetpacks and trackless sky-trains and space travel.
Unfortunately, we didn’t get to see very much of that. In “present day”, the city of Tomorrowland is collapsing and seems nearly empty except for robots and security personnel. The residents of Tomorrowland know that our world is collapsing and despair and depression seem the dominant attitudes among them. Many of the former wonder-kid inventors have been expelled from the city, including the character played by George Clooney.
What I didn’t like about this movie is that it didn’t live up to the fabulous potential of such an imaginative idea. The writing was sub-par and sort of unravelled half way through. It felt like someone got lazy, like they came up with a great idea and then didn’t have the motivation to see it through.
It is established that Tomorrowland will continue on unimpeded even though our world is ending, but everyone seems to have left it anyway. There are a few robots here and there and the city’s ruler and his minions. That’s it. Most of the city is in a state of disrepair. There is never any explanation given except for “they built something they shouldn’t have”.
But that isn’t entirely true. And even if it is, their world isn’t being destroyed by this invention, ours is.
In many ways, Tomorrowland feels like the technological version of Neverland. You don’t have to grow up there. Emotionally, “creationally”, or even physically. I wish that the wonders of that world – what surely drew in audiences from the trailer, especially adults – had been explored further.
Unfortunately, between the lazy producing and writing, the movie fell far from expectations. It is supremely disappointing to see a fairly original idea fall flat, especially from a powerhouse like Disney.
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